defining a discipline

Last semester, i took the first core PhD class in performance studies at Berkeley. This semester, i’m taking the second one. The structure of these core classes is brilliant and i’m still in awe of how valuable they are; i also admit that it’s making me addicted to that discipline. Performance studies, like information sciences, is a field defined by its interdisciplinary. It is still trying to define itself, express its meaningful contributions to knowledge and define its methodology.

Structurally, what they have done at Berkeley is set up a core methods + theory requirement. In the methods class, an overview is given that conveys how you address topics in performance studies methodologically. Attention is given to critical analysis, ethnography, oral histories, etc. The theory class throws you deeply into the roots of the discipline, asking you to constantly challenge the assumptions and terms put forward. From the onset, you’re asked to question the field and in doing so, define it.

The assignments prepare you to be an academic. You are required to do a book review (the typical first publication in the humanities) and a conference paper. You do a project built on a key methodology. You write a course syllabus for freshman. Finally, you define a term that is central to performance studies. (Note: defining a term is not as easy as it seems… this includes documenting its history, usage, applications, etc. Think 20 pages.)

What intrigues me about this process is that performance studies is doing an amazing job of asking its students to really define the field, to really think through the intellectual projects of the discipline and to come to terms with what it means for them. In essence, the discipline is active, constantly reflexive and redefining on a generational level.

This seems to me to be a brilliant way to actually indoctrinate students and i’m hoping to see this approach applied more broadly to interdisciplinary spaces. As a student of information, i’m still not entirely sure what we mean by information. Or more accurately, i’m not at all aware of what the different discussions are and have been. And the more time that i spend at CHI, the more i’m concerned that HCI isn’t entirely figuring out its identity either. And i never did figure out what the unifying knowledge projects of the Media Lab were. [I kind of wonder if performance studies is partially successful since it defines its discipline based on an active process rather than on a site / noun (performance vs. information).]

How do other interdisciplinary disciplines begin the process of scoping theory, methodology and site? Are there other good models out there that one should look to?

the failure of digital course catalogues

Every year during undergraduate, i would race to University Hall to pick up a copy of the latest course catalogue as soon as it was released. My best friend and i would sit in couch covered coffee shops over tea/juice and circle classes that looked interesting. The classes were ordered by departments with cross-references made. Each class had a full description under the title and professor. There was this glorious rush of all the things that we could learn and we obsessed over that book. The beginning of each semester was filled with the enthusiasm of rushing around on campus seeing if the classes lived up to their description.

Inevitably, some of the classes would be cancelled, change times or otherwise not match the promise of their description. Because of this and the cost of publishing those catalogues, most schools went digital.

There is nothing nearly as delectable about surfing terribly organized webpages looking for classes by title/professor only, having to click twice to find a description that is never there, a syllabus that is never submitted on a website that is often unavailable for this or that reason. Not only has searching for classes lost its joy, it’s outright irritating. I automatically skip over surfing the disciplines that don’t seem at all related – things like French or geography or art. And thus, as i learned last semester, i miss critical classes that would have been beyond interesting. But to find them in the sea of titles would never work. It takes 1 scroll-down bar, and at least 1 click to get to each discipline. You have to scroll down to grad-level classes (or click to next pages). And then click on every class whose inane title might actually be relevant. That’s a hell of a lot of clicks for nothing. After looking at 50 or so classes, i’ve given up.

But i found a new method! Of course, it will drive all of the pro-digital folks crazy because it’s just as flawed as the original tree-killing one. Now, instead of dealing with the hellish page, i go to the bookstore the day before classes. I take a notepad and walk through each aisle of textbooks. I don’t pay any attention to what discipline i’m in – i just look for things whose titles look interesting or whose authors i know i should read. Ooh – 3 Bourdieus, must be good, write down class number. I came out of the bookstore with 10 potential classes and then looked those up on the hellish website. They were in departments i never would’ve guessed (and some that i would’ve). I cut out all the classes that took place before 11AM or have 3 meeting times cause i know better. At this stage, it’s seminars all the way. And voila, i have class choices.

The funny thing is that this route is in theory far more unpredictable. There are inevitably classes with readers instead of books or where the professor forgot to order the books. But i found more interesting classes this way in 30 minutes in the bookstore than i did with probably 1 hour spent in online frustration. And i feel as though i have a general understanding of the topology of classes.

Now, this doesn’t mean that online course catalogues can’t work, but they need to be improved. Desperately. First off, it should be hyper simple for professors to upload their course books. In fact, they should upload it to the same system that orders it and puts it online. The course readers people should also connect all items there to the class because you know they have to document it somewhere since they call for copyright on all of those items. Given complete data, I should be able to search for authors that I want to read, not just professor’s names. I should have a little interactive system that shows what classes I’ve taken and shows me the topology of classes available, including a recommendation system. I should be able to surf the classes by similar content, across disciplines. I should be able to see the whole landscape, not just the terrible hierarchy of departments and numbers and navigate without a bazillion clicks. And dammit, i want a PDF that i can download and print out incomplete. Let me kill my own tree so that i can have the joy of sitting in cozy couches with a friend and cider, surfing all of the possible things i could take. Make the digital do more than my paper version ever could, but let me have my paper joy too.

little danah




Luna

Originally uploaded by zephoria.

I just spent the week in LA with Mimi, working out readings for this semester and plotting in general. As such, i got to spend lots of time with her kids who are utterly awesome. Luna was obsessed with my fuzzy items and jingly bracelets and decided to dress up as little danah, resulting in a picture that i just had to share.

Technorati tags

Tags, tags, everywhere tags…. Technorati just launched Tags.

This system collects three types of tags: Flickr tags, del.icio.us tags and “category” tags on blog posts. (Unlike Flickr and del.icio.us only the author can tag blog posts.)

It’s definitely in early beta and there aren’t that many posts that are tagged. This is probably because most people don’t categorize (if their tool even lets them) and they didn’t include LJ/Xanga moods as tags. Herein is another reminder of differentiating similarities. Some of you may be looking for all blog posts on ‘blogging’ but some may want to find all entries marked as ‘giggly’… This would be super useful in the friends of friends context.

(Of course, i’m still terrible at categorizing my posts because it takes far too much work.)

Resonance: A Convergence of Perspectives on Music and Spirituality

On February 5, ExploreSpirit (the org that put on the Altered States and the Spiritual Awakening conference) is putting on Resonance, a conference that “will examine music from this emerging paradigm of the sacred, exploring the connection between music and spirituality from a variety of perspectives, weaving them together into a larger whole, and providing a glimpse of a new landscape of sound and spirit.”

This might be of interest to those of you who appreciate the intersection between music and spirituality. It sure interests me.

call me Countess

When Scott was signing up with United, he found that he was required to give a title. Of course, rather than just having the generic ones, they went all out. Choices include:

Mr, Ms, Mrs, Miss, Dr, 1sgt, 1stLt, 2ndLt, Adm, Baron, Baroness, Bishop, BrigGen, Brother, Cantor, Capt, Cardinal, Cmdr, Cmst, Col, Count, Countess, Cpl, Cpo, Dean, Duchess, Duke, Elder, Ens, Father, FleetAdm, General, Governor, Gysgt, Hon, Imam, Judge, Lady, Lcpl, Lord, Lt, LtCmdr, LtCol, LtGen, LtJg, Ma, Major, MajorGen, Mcpo, Mgysgt, Minister, Monsignor, MostRev, Mother, Msgt, Mstr, Pastor, PettyOff, Pfc, Po1, Po2, Po3, President, Prince, Prof, Pvt, Rabbi, RearAdm, Rev, RightRev, Scpo, Senator, Sfc, Sgt, Sgtmaj, Sir, Sister, Smn, Smn1, Smst, Sp4, Sp5, Sp6, Sr, Sra, Srta, Ssgt, Swami, TechSgt, VeryRev, ViceAdm

Mac mini for the masses

I’ve decided that the Mac mini shall be bought by Mac fetishists for the people in their lives for whom they provide all technical support. This includes parents, grandparents, siblings, bosses. etc.

For this to work effectively, Mac must include one key application when they release Tiger: SOLITAIRE.

Dealing with Culture

[posted to OM]

People who have relationships with each other often have shared interests, values and tastes. As collections of relationships evolve, cultures form with collective interests, values and tastes (that may not resemble any or all of the individual members’). There are shared cultural practices and activities embedded in these cultures.

There are two ways of looking at this – through the foci or through the group. There appear to be communities that follow particular interests, say a music genre. But also – and this is important – there is a higher probability that your friends share the same interests as you than a random sampling of people. In other words, if you really like David Bowie, your friends are more likely to like David Bowie that a random collection of the same number of people. Of course, this does not mean that they all like David Bowie or that any of them like him as much as you do. Likewise, this doesn’t mean that the biggest David Bowie fan is your friend (although you’re more likely to have something in common with this person than a random stranger).

Cultures often form within social network clusters because members of the group tend to share things in common. Additionally, when people like each other, they are interested in trying out each other’s passion. Try dating someone who *loves* David Bowie – you’ll find yourself listening to him too.

Now, think about all social networking tools. They have all proliferated based on social network clusters – friend groups with dense network overlap. A lot of these groups have brought their groups’ culture with them and it is these cultures that people often recognize. In the early days of Friendster, this is why people thought Friendster was all gay men, all Burners, all whatever. The indie rock kids have invaded MySpace, the Burners took over Tribe.net, Brazilian culture has dominated Orkut. Depending on the cultures that an individual participates in, one service or another feels far more appealing.

Anyone interested in creating sociable applications needs to understand that this dynamic is natural and the product of very excited individual(s) spreading a product to their friendgroup. Why a group really values a particular software should be a problem to solve, not an act to suppress. Attempts to disrupt culture often disrupts a lot more than the narrow culturally defined group – this is the problem with social networks… attitudes flow through the networks just as much as information.

Culture emerges in most social technologies that bring people together. Like it or not, the company who has created the tools is faced with the responsibility of supporting that culture, particularly with hosted tools/communities. This can be very tricky when a company fosters a culture that they did not expect or want (a.k.a. it’s not a population that can be squeezed for money). What to do becomes an ethical question.

The irony is that most social technology companies want the whole world to use their service. The world includes a vast array of different cultures and communities, not all of which are compatible with each other. So when the cultures have to interact because of the tool, it is fundamentally impossible to actually have all cultures involved if there are conflicting ones. Take the homophobes and the queers – they really don’t go well together. If you choose to support the queers by making your tool queer-friendly, you will piss off the homophobes. And no matter what, those two groups really don’t want to have to interact with each other on the site.

Therein lies an interesting problem for builders of social tools – how to support culture, what to do when you have issue with the culture that emerged and how to deal with the fact that you can’t get everyone to use a social tool if the interface will reveal the values of the other one or if members from conflicting groups will have to interact.